The creator of "A Million Little Things" DJ Nash On Tonight's Finale and Season 2


SPOILER ALERT: This post contains details tonight A million little things Season 1 Final

"We did all the things we could do to minimize it and make sure it was authentic," he says. A million little things Creator DJ Nash, speaking of the role that the terrible events of September 11, 2001 had at the end of season 1 of the ABC drama.

In the episode "Goodbye", which was very well built and filled with flashbacks, we learned a lot more about the true identity of the illusionary Barbara Morgan and Mrs. Nelson from Drea de Matteo coming out of the shadows of the past. We also delved into the events that forged the inner turmoil that Jon Dixon (Ron Livingston) kept secret in the years leading up to his suicide early in the show.

Jon was supposed to be on American Airlines Flight 11 out of Logan's airport that morning in September 18 years ago. Livingston's character lost the fatal flight because of a last-minute mission. But his former college classmate, Dave, was aboard and died when the plane struck the World Trade Center shortly thereafter.

Barbara Morgan was not having a relationship with Jon, but it was Dave's wife, and she was pregnant when he was killed. It was a pregnancy that made her raise her son with Rhys Coiro – played Mitch with the boy portrayed by Chandler Riggs without ever knowing who his real father was.

Of course, this being AMLTthere were revelations of all sorts in the end between Nash and his friends and family, old and new, like the recently introduced Riggs PJ.

Revelations was certainly prepared for the end of the usual episode when David Giuntoli's Eddie Saville sat down with Katherine Kim of Grace Park and said, "I promise you, no more lies, so there's something I need to tell you . Leaving him wobbling if Eddie reveals to Grace that he is the baby's father that Jon's widow, Delilah (Stéphanie Szostak) is being born, AMLT took a traditional approach to Big Cliffhanger on Thursday. At the same time, the series that began with the excruciating pain of suicide remained faithful to the difficult truths that are rarely seen on the TV network and fed its freshman year.

In that sense, Nash talked to me about the end of the first season and the decision to link him to the terrors and the September 11 loss. In addition, the EP unfolded the possible revelation of this conversation between the couple of Park and Giuntoli, where the series set by Boston will for the second season confirmed the third largest audience of the network. Nash also revealed how A million little things has evolved in a very significant way for him.

DEADLINE: Why did you decide to connect the show to terror and the September 11 loss by late tonight?

NASH: I do not expect everyone to think we're right, but that's part of our story. Having lived in Boston and living in New York, this is part of our history. It's been 18 years and I do not want people to forget.

I think when it comes to telling this story and Jon losing a friend, I was aware that people would have lost people they love in these buildings. I did not want to make it look like we were trying to sensitize something that happened. In the pilot, this family loses its innocence, but the father takes the life, the husband takes the life, the friend takes the life. On September 11, I think we are a country that has lost our innocence.

I talked about it with my writers, I talked about it with the actors, with my director, with my producers. I've talked about it with Standards and Practices on the Net, which you generally consider as a group of people that makes you not say bad words about what's appropriate.

DEADLINE: And how was this achieved?

NASH: We decided to underestimate that. To never say September 11, but we show in front of a newspaper, the real front of the Boston Globe. We say Flight 11, we have Barbara saying that. We went to Logan airport, we got a photographer taking a photo of the gate. We did all the things we could do to minimize it and make sure it was authentic.

Throughout the season, addressing issues such as depression, suicide and cancer, the most important thing for me was to make them feel authentic. Because I'm telling fictional stories in our show, there are people watching who went through these things. I'm not trying to tell everyone's story, but I want to be faithful to what one can go through.

DEADLINE: Did you feel in the final issue that you got it?

NASH: There is someone on ABC who has worked with our program all season, who lost a friend on September 11. She reached out to me to talk to me about how excited she was and felt we had hit her.

DEADLINE: Is this how you wanted to end this season from the beginning?

NASH: When I gave the script to the network for the first time to read when I was a pilot, one of the really smart notes I got was 'there's a way to evoke Jon at the end of the pilot again'. So I went home and I was thinking in different ways, one of which is what we disembarked, that was to have Rome (Romany Malco) doing the video of Jon in the elevator and having the voice of Jon be the voice of the last act of the pilot. I was also thinking that maybe the gang could get caught up in O'Hare in Game 7. What if, as we tell this story, we find out that all four missed a flight before and it was Flight 11?

I talked about it with my other producer, but we both felt we would outdo the whole pilot. So I put it in my pocket and did nothing with it.

DEADLINE: So how was it?

NASH: On the first day with the writers, while I was meeting with them and telling them everything I knew about the show, one of the questions I asked was "What was the thing that broke Jon?" So I told the story of what if he should have been on the flight and could not. I also spoke with our consultant, with whom I work very closely and who helped us with the depression of Rome and with the history of suicide of Jon. She said it was completely consistent, the guilty idea of ​​the survivor and how he might have met Barbara and how it became a hot stove that he could no longer touch.

DEADLINE: So September 11 is the answer to Jon's suicide, the survivor's guilt?

NASH: It's really important to me and the writers to have the audience know that as much as we were following the mystery of the first season and why Jon did it, that's not the answer. This is the day he broke, for it is a pile of stones piled upon one another. So I do not want the public to leave the season feeling that's why Jon did it because he made the flight and because he lost someone. I think a lot of people could not fly that day, which had very different results.

DEADLINE: Speaking of different results, that conversation between Katherine and Eddie in the closing minutes was not where I saw it after all you did at the end and this season, why did you go there?

NASH: Grace Park is an incredible actress and I loved this season when we put her in impossible situations. So I knew I wanted to end the season by putting it in another impossible situation.

DEADLINE: Because?

NASH: Our show lives in those twists where you think you think you know a person or a situation. In the pilot, you think Rome will take your life, but it's Jon who does it. Or that Eddie is having an affair with the guitar student's mother, but it's actually Delilah. In a similar way, we started the season with Katherine and how you think she is so controlling. But very quickly in the season we turn the card around and see her side of things like this mother who works trying to succeed in both worlds and cheer for her.

DEADLINE: But is not this far?

NASH: OK, Eddie is anything but at home, and they're committed to trying to make it work. But before Eddie can get back into the house, he knows their success in the last couple of months is because they were honest with each other. Then, he realizes before entering the house that he has to be sincere. And the thing about it is that the thing he's saying is a thing of the past. It's not as if he had impregnated someone. So there's an impossible situation we're putting Katherine in.

DEADLINE: As well?

NASH: Is not she going to give this thing the attempt she would give because of things that happened before? Because all he did was to be honest. So I love the way we're leaving it.

DEADLINE: So in an end to secrets and riches, so to speak, where does this happen in Season 2?

NASH: I'll say that, the morning we filmed this scene to the end, I went to the actors and delivered the rest of the scene …

DEADLINE: You mean where do you get the second season?

NASH: Yeah, I said I have not shown it to the network yet, but let's shoot the whole scene because we're here.

So we filmed the rest of the scene.

I will say, the two are fantastic in it. As wonderful as they are individually, together there is something so special. I'm very excited to take this story next year and see us watching what she's going to do and how she's going to deal with this impossible situation?

DEADLINE: With this, and with the renewal of the beginning of this month, as it has A million little things changed for you during the first season?

NASH: Well, I think the pilot was me telling a story I thought was my story. However, on hearing from other writers and more recently hearing, as I have done in the last 24 hours, from a family that lost their son to suicide and hearing from a woman who lost her best friend on September 11, I think that while I started to think that I was telling my story, what I realized is that we are telling our story and there is something universal about it.

What has been so rewarding for me is to learn how viewers and everyone involved in the program feel that there is a part of them being watched.


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