the big loser, the triumph of Guatemala and many Latin awards – Prensa Libre


Antonio Banderas won the best actor award at the Cannes Film Festival in 2019 (AFP).

Antonio Banderas won the best actor award at the Cannes Film Festival in 2019 (AFP).

But undoubtedly, there are other details you should know. So here we leave the balance of the 72nd edition of this important French activity.

"This year's selection was incredible, with iconic, strong and new directors from around the world," Mexican jury president Alejandro González Iñárritu said Saturday, alluding to the 21 films of the Palma de Mallorca race. Gold

The press and the festivals agreed. "It was an excellent year in Cannes," said the critic of the British newspaper. The Guardian Peter Bradshaw. "There have been good works, not only by veteran filmmakers already enshrined in the history of the festival, but also by the young and debutantes," he added.

The french Le Monde He emphasized: "The migraña of the jury" in the time to choose the Palm of Gold.

Among the most renowned directors, Pedro Almodóvar, the brothers Jean-Pierre and Luc Dardenne, Ken Loach, Terrence Malick, Marco Bellocchio and Quentin Tarantino did not disappoint, at the same time there were pleasant surprises on the part of novels such as French Ladj Ly and French-Senegalese Mati Diop, both rewarded.

Director Bong Joon-Ho won the Palme d'Or for his film "Parasita". (Photo Free Press: AFP)

The curse of Almodóvar

Almodovar returned to stay for the sixth time without the Palm of Gold, despite his autobiography Pain and glory was the favorite of critics next to Parasite. The protagonist, Antonio Banderas, who plays a veteran director amid a crisis of creativity, was rewarded with the award for best male performance.

Banderas did not hide a certain "bitterness" because his mentor was not rewarded.

The list of prizes should also disappoint Tarantino and Malick: their respective films Once upon a time … in Hollywood, with Brad Pitt and Leonardo DiCaprio, and A hidden life, defined in World War II, they were left out.

The Spanish director Pedro Almodóvar did not take the Palm of Gold at the beginning of the festival, critics said he was a favorite. (Photo Press Free: PL Newspaper Library).

And women?

26 years ago, Jane Campion won the first and only Golden Palm for a woman with The piano.

In this edition, of the four competing films directed by women, three integrated the history: Diop won the Grand Prize – the second in importance – with Atlantic, a fable set in Dakar, with a social base on the drama of the migrants. The Frenchwoman Céline Sciamma took the distinction to the best script with Portrait of a woman on fire and in the case of the Austrian Jessica Hausner, the prize went to the protagonist of his Little joe, the Anglo-American Emily Beecham.

The last director to win the Grand Prix was the Italian Alice Rohrwacher in 2014 with The wonders. This year he was on the jury.

The award for female performance went to Emily Beecham for "Little Joe," by Jessica Hausner. (Photo Free Press: AFP).

Latin Awards

Brazilian Kleber Mendonça Filho was the last Latin American director in dispute for Palme d 'Or, in 2016, with Aquarium. This year he came back with Bacurauco-directed with Juliano Dornelles. The film won the jury prize ex aequo with the French The miserableof Ly.

In the section Un Certain Regard, the second in importance of the Festival, another Brazilian film was imposed, The invisible life of Eurydice Gusmaoscored by Karim Ainouz.

Chilean director Patricio Guzmán won the Golden Eye for best documentary The mountain range of dreams, an award he shared with the Syrian movie For Sama.

Argentina won a special mention for the short film by Agustina San Martín, God monster.

In addition to Latin America, Spain also triumphed: to the prize of better actor by Antonio Banderas, in Una Cierta Mirada were rewarded with the prize of the jury Or that burns of Oliver Laxe, and with the special award of the jury Releaseby Albert Serra.

Guatemala seduces Cannes

Guatemala made history in its first participation in the Festival, with Our mothers, by César Díaz, who won the award for best debut, as well as a distinction in Critics' Week, where he competed.

Guatemalan director César Díaz shows the award for best debut film. (Photo Free Press: AFP).

Set in 2013, the film focuses on a young anthropologist who believes he has found clues that will lead him to find his father, a guerrilla fighter who disappeared during the armed conflict. This film focuses on the search for the disappeared in the massacres of the Mayan populations.

Our mothers, which lasts 1 hour and 18 minutes, will be presented at a festival circuit, and although there is no set date yet, Díaz says it will be presented in Guatemala. In addition, he expresses a special interest in presenting it in Alta Verapaz, the place where the film was filmed. "I think you have to give something back to people for everything you gave us," he said of Cannes, France.

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