On Saturday, January 12, they were fulfilled 50 years in Led Zeppelin I (1969), the first album of the British band that since then inscribed its name in the great history of the popular music.
For some, the ephemeris translates into a certainty: Led Zeppelin I is considered "one of the most influential rock albums", whose worldwide impact could be illustrated in its iconic cover: the explosion of LZ 129 Hindenburg on May 6, 1937, burning in the sky.
As an empirical fact, on January 12, 1959, it is remembered as the day when the first public interaction with the John Boham (one of the greatest drummers of all time), double-edged harmony Jimmy Page and Robert Plant on the guitar and voice, and the march John Paul Jones to the bottom.
Then a track-by-track review of the debut album and part of the stories behind Led Zeppelin I, 50 years after its launch.
"Good times, bad times"
First original composition of the quartet in an overpopulated album of blues and soul reversals. A sample of the natural dialogue between Page's guitar and Bonham's ubiquitous drumming, which would eventually become one of the band's trademarks.
"Babe, I'll leave you"
Do not be fooled by the soft arpeggios of the beginning: Babe, I'll leave you. ends between furious fingering after more than six minutes of high swings. A musical counterpoint for the then former apprentice to The Yardbirds, who with Led Zeppelin finished writing his own legend.
"You rocked me"
A traditional blues of Willie Dixon and J. B. Lenoir with complete images of Zeppelin, and yet criticized for its similarity to the version of Jeff Beck, who even accused the group of copying his idea.
"Dazed and Confused"
Again a song that exceeds six minutes and in that case, designed the gene that would accompany the band for half a century. Fans will recognize her by interpreting Page with a bow of violin, or for the eternal jams around each of their live versions.
"Your time is coming"
Ask for calm pop with virulent lyrics, where Plant curses his ex-partner by telling him that "his time will come". Perhaps one of the songs in which the organ seems better as a support of the collective.
"Side of the Black Mountain"
Brief instrumental of two minutes where Page manifests his taste for the percussion and simple zither, this time of the folk and with the speed and freedom that allows the classical guitar. A trend that would be repeated in later discography.
One of the longest-running, most popular songs on the album. With original training in credits, Robert Plant harmonizes his shrill cries to the rhythm of the automatic gallop of his companions, in one of the most well-known postcards of the society.
"I can not get away from you Baby"
Although one of the album's criticisms rejected its predilection for covers and the intact appropriation of American blues, these characteristics became one of the trademarks of Zeppelin's sound. And proof of this is I can not give up on you Baby, where again they bring a sober piece of blues.
"How many times more"
With the violin bow again as the protagonist, Page gives way to a heavy metal music that rises for eight and a half minutes and stands out for a captivating riff but also for its seemingly disconnected solos. A pin of gold and a "continue" equal to 1969 Led Zeppelin II, the second part of a saga of records that would reach the IV and that 50 years later, against any prediction, continues to resonate as in the premiere. .