Tuesday , April 20 2021

Herbert Achternbusch for 80: The Feeling Achternbusch – Culture



German cultural history owes him this moment, in which he, like Christ, rises from the cross and then goes swimming with a nun. The blasphemy was then, in 1982, a great stir. For, for example, this Christ asks inquisitively about the Mother Superior's abdomen. There followed protests from the Catholic Church and from the spectators before or in cinemas, to prohibitions, also in Austria. The outrage over "The Ghost" culminated in the fact that Herbert Achternbusch had not received the film's price, at least in part because the Federal Minister of the Interior, Friedrich Zimmermann, was echauffierte. Achternbusch she had to fight in court.

Herbert Achternbusch, filmmaker, actor, painter, playwright, writer – Thomas Bernhard of southern Germany and, anyway, a descendant of Karl Valentin. The notorious Grantler, anarchist and great baker, formulated the famous phrase "I do not even like to die in Bavaria," which the Interior Minister called a "mess." They saw the Antichrist inside him, cursing his black and white band as a nihilist. If you take a look at "The Ghost" today, you'd rather see folkish wavering, dark, melancholy, amateur theater – which nevertheless remained immeasurable.

A dozen films, 40 books, a work of enigmatic paintings

Achternbusch, born in Munich, grew up in the Bavarian Forest and has long resided in Munich, 80 years ago on Friday. He retired from the public for some time. Although, unlike Bernhard, he has always been a loner with friends, an innkeeper, a team worker behind the camera. Too bad he does not shoot anymore or show up at festivals. It lacks its frankness, its refusal to cultivate culture, this Bavarian challenge and therefore, underestimated quickly, the stubborn attachment to one's own tone, the very thing, to being against each other.

Achternbusch's biography includes more than two dozen films, 40 books, the most famous "Die Alexanderschlacht" of 1971, 20 sometimes very successful pieces ("Ella") and his work as a visual artist, often huge and enigmatic paintings . The good taste? Craft? OK? Logic? Do not even ignore it, he may have always thought. After his debut on screen "Das Andechser Gefühl" (1974), the first-hour filmmaker turned grotesque as "The Young Monk" (a nuclear bomb falls on Bavaria), "The Last Hole" (a reminder of the Holocaust: a schnapps for every murdered Jew) and "The Depp" (Franz Josef Strauss is poisoned at the Hofbräuhaus). Absurd substances for an absurd world. His last, last, "The Applause of a Hand", dated 2002.

He was quiet near Achternbusch. In Munich they celebrate anyway, with a tribute at the Filmmuseum and an exhibition at Lenbachplatz. That's good. Congrats to Berlin!


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